After Midnight

#38393f

A neutral that has no useful hue — it reads as a grey. It is dark — it carries white text and needs care with black.

Hex

#38393f

RGB

56, 57, 63

OKLCh

34.6% 0.011 278.3°

CIELAB (D50)

24.0, 0.6, -3.9

What is true of this colour, and of no other

  • 7 other named colours sit within ΔE00 2 of it.
  • It uses only 5% of the chroma available at this lightness and hue — there is a far more vivid version of this colour inside sRGB.
  • As text on white it measures APCA Lc 96.5; on black, Lc 0.0. The sign is the polarity, which the WCAG ratio discards.
  • Built into an eleven-step scale, 10 of the 10 adjacent pairs stay ΔE00 2 apart — see the ramp.
  • All three dichromacies see it as very nearly the same colour you do: its hue is not the part carrying its identity.

Text on this colour

White text

11.51:1 — passes AA

Black text

1.83:1 — fails AA

White text is the better of the two at11.51:1. That is enough for body text.

The same colour, with one cone missing

As you see it

#38393f

protanopia

#39393f · ΔE00 0.7

deuteranopia

#39393f · ΔE00 0.7

tritanopia

#393942 · ΔE00 1.9

Run a whole palette through all three

The twelve nearest named colours

Ranked by CIEDE2000 — perceptual distance, not hex arithmetic. The closest isArtist’s Charcoal at ΔE00 0.974: below 1.0 — an ordinary observer cannot tell these apart, even side by side. What the numbers mean.

9 of these have no page of their own: pages exist for the 4,961 colours the dataset marks as good names.