Salted Capers as a scale

Eleven steps from #a69151, built by moving lightness in OKLCh and keeping the hue where it is. Every step is gamut-mapped by giving up chroma, never by clipping channels — clipping is what turns a light blue purple.

StopHexOKLCh LChromaOn whiteOn blackAPCA on whiteΔE00 from the step above
50#fff5d797.0%0.041 ·capped1.09:119.28:10—
100#ffe9a993.8%0.085 ·capped1.20:117.53:1108.9
200#ead49387.4%0.0871.46:114.37:1224.7
300#d5c07e81.0%0.0871.80:111.64:1335.0
400#c1ab6b74.6%0.0872.25:19.31:1445.5
500#ac975768.2%0.0872.86:17.35:1556.0
600#99844461.8%0.0873.67:15.72:1646.6
700#85713055.4%0.0874.77:14.40:1737.3
800#725e1b49.0%0.0876.27:13.35:1817.1
900#45360034.0%0.070 ·capped11.77:11.78:19714.2
950#17110018.0%0.037 ·capped18.81:11.12:110517.5

What is true of this ramp

  • 10 of the 10 adjacent pairs differ by ΔE00 2 or more. Every step here is a step a reader can see.
  • The tightest pair is 100 to200, at ΔE00 4.7.
  • 4 steps had to give up chroma to stay inside sRGB — 50, 100, 900, 950. A wider display would show them more vividly.
  • 4 steps clear 4.5:1 on white (700, 800, 900, 950), and 7 on black (50, 100, 200, 300, 400, 500, 600).

Harmonies from Salted Capers

complement

the hue directly opposite, at the same lightness. #7f90c9 (+180°)

analogous

the two neighbours 30° either side. #b98659 (+-30°), #8a9b5d (+30°)

split complement

the two hues either side of the opposite, 30° apart from it. #6099c4 (+150°), #9c86c0 (+210°)

triad

the circle divided in three. #48a1b2 (+120°), #b27fab (+240°)

tetrad

the circle divided in four. #4ca496 (+90°), #7f90c9 (+180°), #c07c8f (+270°)

The ramp as CSS

:root {
  --salted-capers-50: #fff5d7;
  --salted-capers-100: #ffe9a9;
  --salted-capers-200: #ead493;
  --salted-capers-300: #d5c07e;
  --salted-capers-400: #c1ab6b;
  --salted-capers-500: #ac9757;
  --salted-capers-600: #998444;
  --salted-capers-700: #857130;
  --salted-capers-800: #725e1b;
  --salted-capers-900: #453600;
  --salted-capers-950: #171100;
}

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